INDIVIDUAL WORKS
Family Chaos, 2024
Carbon, Prismacolor, soft pastel, and acrylic gouache on Paper, 18 x 24 in
Abstractscape, 2024
Charcoal, Pitt and Soft Pastel on Bristol 22 x 30 in
Blues Bench, 2024
Wood, aluminum flash, zinc
48 x 10 x 18 ½ in
Archival Digital Print, 24 x 30 in
Connection, 2023
Cyanotype on fabric, yarn, polyester fiberfill, metal, 18 x 54 in
Inspired by research on the Brooklyn Bridge, the work considers how infrastructure transforms social relationships by connecting communities once separated by geography.
Awoken, 2025
1/5, Edition of 5, Screenprint
22 x 15 in (full bleed)
iMondrian, 2025
2/6, Variable edition, Screenprint
11 x 11 in (9 x 9 in with a border)
Banana Capsule, 2024
Wood, epoxy resin, metal, plastic
37 x 15 x 22 in
A USB drive containing The New York Times Year in Pictures archive is sealed within a translucent resin banana. Functioning as a contemporary time capsule, the work considers how information, memory, and history are preserved, encoded, and transmitted across physical and digital forms. The familiar banana becomes an unlikely archive, simultaneously humorous and archival, fragile and permanent.
Florida Targets, 2023
4 x 6 in, 300 DPI
Church Personae, 2023
4 x 6 in, 300 DPI
Gabrielle, 2024
Archival pigment prints
Lumber-Jackrabbit, 2023
Cedar wood, Porcelain, metal, plastic
36" x 22" x 18"
Eye Spy, 2025
Gelatin Silver Print
10 x 16 in (Series of 8)
The Shape I'm In, 2025
Gelatin Silver Print
10 x 16 in (Series of 6)
Life No Game, 2022
Mixed Media
22 x 18 in
​Life No Game appropriates the visual language of The Game of Life to explore memory, mobility, and emotional inheritance. Flags and Monopoly houses trace the many places I lived as a child in an Army family, while a swimming pool marks the one enduring constant. The overflowing trunk and altered Chance cards suggest the accumulation of experiences that are carried forward but rarely unpacked. Beneath the familiar optimism of the game board lies a more complicated narrative about the systems, circumstances, and emotional baggage that shape a life.
Rest In Anguish, 2025
Cyanotype on Fabric
84 x 60 in
Cunning-Baffling-Powerful, 2022
Acrylic Gouache on Canvas
20 x 16 in
GOAT,2023
Mixed Media
16 x 16 in
Fragility, 2025
Resin, metal, plastic
24 x 33 x 38 in
The Invisible Hand, 2024
Wood, Fabric, Plastic, metal
39 x 21 x 15 in
Java Bench, 2024
Archival Pigment Prints
20 x 13 in, (Series of 10)
Man to Man, 2024
Archival pigment prints
14 x 20 in (Series of 5)
White Privilege, 2026
Enamel & charcoal on Sintra
24 x 24 in
White Privilege appropriates the familiar visual language of a traffic stop sign to examine the ways social systems regulate movement through public and cultural space. The repeated text obscures the sign’s original directive while simultaneously reinforcing it, creating tension between visibility and legibility. Through repetition, accumulation, and disruption, the work invites viewers to consider privilege not as an individual characteristic, but as a condition produced and reinforced by larger social structures.